The Clap(board)

The Clap(board)

Daily I have to launch an application from my Dock in which in the icon is a clapboard (or claperboard). And daily, I launch the wrong program – sometimes more than once.

I finally took a good look at my apps dock to see exactly how many icons I have that are clapboards in one form or another.

The total number was 5, though it feels like 20 the way I constantly launch the wrong program, but alas it’s only 5.

Here’s the run down:

Cinema Tools. This is the one I use the least, almost never actually. It’s the database and conversion program that came with Final Cut Studio. It is one I will use for more extensive projects (particularly the one NeoZAZ is work towards over the next year) but for what I’ve filmed over the past years or so, I haven’t needed. But since it’s something I know I’ll need in the future, it stays.

Final Cut Pro. This is one of 3 programs I’ll launch everyday. It’s distinctively different from the others red digital time code graphic, but even with that I’ve missed the target and opened one of these other programs when meaning to launch Final Cut.




Live Type. The Title and text animator and generator for Final Cut Studio. It’s one I’ve just recently been using, migrating off of After Effects for Titles and credits. I accidentally launched Final Cut when meaning to launch Live Type, but most of the times it’s because it’s sitting right next to the Final Cut icon.




Soundtrack Pro. This is number 2 of 3 programs I launch everyday. It’s what I use to edit all of Trailer Pod Boys audio – host recordings, show clips, intro segments, music, everything. And it’s my primary application for all sound work. Most times, I’m able to launch this app when I’m intending to use it… but not always.




Celtx. My one and only Script formatting and writing application. The only one of the 5 that is not part of Final Cut Studio. And the last of the 3 that I open daily. It’s got a distinctively different motif than the other 4, but with it closest resembling Cinema Tools, I tended to mix the 2 up often, especially when I’m running with a thought that I need to get in Celtx quickly and I’m in a rush – that pretty much when I launch the wrong program thus making the time to get my thoughts on paper take even longer.

Of course I’m sure part of the problem is the close proximity these icons are to each other on the dock:

An obvious solution maybe to move them farther away from each other. But I can’t seem to do that. For all of the things I’m not anal about, and all of the things I leave completely unorganized with zero structure in production projects (much to the dismay of my creative partners I’m sure), my app dock is one thing I’m strictly OCD about. All of this program are grouped together as my “production area”. The Final Cut Studio icons are alphabetical, left to right, then ending with the non-final cut studio app, Celtx. It’s a pattern I’ve tried to break up, but couldn’t live with for more than 10 minutes. Ironically, I auto hide the dock so for most of the time I’m in front of my computer I don’t even see it. But if it’s out of order, I know it, I can feel it. So I guess I have to live with the ten to twenty minutes a year I lose opening then closing the wrong programs to have that piece of mind.

This article really doesn’t serve much of a purpose. I guess it’s more of a way to for me to address this issue, an issue big enough for me to get down on paper I suppose. Admission is the first step to recovery, maybe this post will help me move the icons with comfort, or even better, launch the correct application when I need it.

Trailer Pod Boys Episode 11 is now online

We finish up season 2 of Trailer Park Boys with episode 7, “The Bare Pimp Project”. And the inevitable discussion of mashing up “Trailer Park Boys” with “Star Wars” has finally happened.

Hear it here at the Trailer Pod Boys Website.

The Wizarding World of Harry Potter Pictures

Considering how many times I’ve gone to Universal Orlando in the past 2 months, it’s hard to believe it’s taken me this long to finally snap some pictures of the new “Wizarding World of Harry Potter” area of Islands of Adventure. But yesterday I finally made the effort to take a walk through the winding wooden walkway that’s been setup to take a look at the new attraction area.

First I have to admit, I know about as much of “Harry Potter” as I do brain surgery (actually, I once saw a special on Discovery about brain surgery, I may actually know slightly more about that subject as I’ve never read nor watched anything related to Harry Potter). But I am a huge Theme Park/Thrill ride enthusiast, so I am excited about this new area of the park. Specifically the new ride. A ride so “top secret” that even ScreamScape.com hasn’t been able to find out anything about it yet. The mystery of this new ride is killing me!

With my parent along for the tour, I got a little bit of an education on what some of these buildings are probably going to be. Unfortunately, I already forgot most of what they said, but I’ll try to piece together what I can:

The general consensus among my parents (all 2 of them) is that this building must be Hogwarts. All I know is that it is a mammoth sized building. It is ridiculously huge! These pictures serve no justice on how big this thing actually is! The detail is amazing, and it is a very gorgeous piece of construction. Even without knowing anything about Harry Potter, I was really impressed and in awe of this structure.

What may or may not translate in these pictures is how high up this structure is. Even if it’s a clever architectural trick to make it seem higher and bigger than it actually is, it is quiet high off the ground. The detail is amazing.

These pictures are of “The Town” – They told me the name of “The Town”, but I forgot already.

A new construction between Hogwarts and “The Town” that’s not quite to the point that it can be recognized yet. It could be just about anything right now.

I think this duck was a foreman. He was quiet and calm until a construction crew came out of one of the buildings. At that point he turned directly to them and quacked quite loudly. I think the crew tried to sneak out early.

Trailer Pod Boys Episode 10 now online

Episode 10 of Trailer Pod Boys is now on line.

In this Episode we enjoy the musical stylings of John Dunsworth, figure out this is our 10th episode, and have a round table discussion on Season 2 Episode 6 of Trailer Park Boys, “Never Trust a Man with no Shirt on,”

Hear it here at the Trailer Pod Boys website.

Comic Wars: Episode 5

Welcome to the fifth chapter of Comic Wars. From looking at the cover, you might get the impression that the rather more smooth-surfaced cousin to the Death Star actually strafes Rebel bases, picking off people and ships, rather than exploding entire planets, like the real Death Star.

While that does sound like a really awesome subplot that was never in the movie (I’m imagining some sort of cross between the Death Star and the Imperial Interrogation Droid that’s about the size of a meteor, manned by a couple dozen guys all wearing identical spherical helmets with little slits to see out of. And they go around the galaxy solving mysteries. Maybe they have a pet Ewok for comic relief. Coming this fall on the CW!) nothing like that actually happens in this issue. The cover is more like an impressionist collage of elements from the book, rather than a realistic depiction of any one scene.

In the scene, Luke and Chewie seem to be best buddies now, since Luke is barking orders at him, leaving Han out in the cold, and making him even more nihilistic than ever, thus leading him to exclaim, “It’s too late, kid! We’re finished!”. Whatever happened to, “Never tell me the odds!”?

On this next page, the human characters have a stunning lack of detail, while we can practically count every hair on Chewbacca’s face, and the inaccurately drawn TIE Fighter pilot is bursting forth from the minimalism of the page with his stunning realism.

Is the artist finding much more inspiration in the non-human characters in the story? (and the Imperial troops might as well be called non-human with their portrayal in the movies as faceless drones who couldn’t hit a wall from six feet with a shotgun. And aren’t they all clones of Jango Fett, anyway (if the prequels are to be considered canon, which I’m not sure they should be)? If he’s been cloned over and over again for the past twenty years, surely the latest generations have lost whatever humanity once embodied their physical beings. And if they stopped using clones after the Clone Wars – which is what I kind of assumed all along – then the poor saps who sign up for trooper duty only to enslave entire cultures deserve nothing less than to be called inhuman). Are the lines of dialog that started out being pretty banal when Lucas penned them and got even worse when the comic writers pissed all over them turning the poor artist against humanity in general and siding with those in the story who never even speak English?

This sequence is also notable for the sheer quantity and intensity of thought balloons. Back on the Death Star, Han spoke aloud every thought that flitted through that smuggler’s skull of his, but now everyone seems to be holding their thoughts closer to the vest. Which is good, because their thoughts are those of a MySpace drama queen.

But Leia’s despair pretty closely matches Han’s from the cover. I guess that’s why they ended up together.

I’ve talked before about the introduction of silly religious exhortations into the dialogue of this comic – usually when someone says “Holy–!” – but this is ridiculous: “… and Han Solo finds out that space-mercenaries, too, can pray!” Of all the characters that might pray in the entire story, Han is the least likely. He openly scoffs at even the quasi-religion of the Jedi; he mocks the beliefs of everyone and doesn’t believe in anything supernatural, even his belated, “Hey, Luke, may the force be with you.” is strained and insincere. There is no way he was praying just because a couple TIE fighters were hassling him.

This scene in the movie is a great character-defining moment. In most movies, once the main characters have been through hell together, they predictably fall into an all-for-one sense of camaraderie. But after our heroes escape certain death many times over in the Death Star, Han retreats to his baser instincts and makes sure that Leia knows that all he cares about is the money. It sets up the final scene where he comes back to save the day, beginning his character arc from selfish smuggler to genuine hero and all-around pansy.

Apparently, the comic writers didn’t think the movie was heavy-handed enough in this scene and gave Han a couple extra lines: “What else is there? Well??”, underscoring just how much he loves the Benjamins in exclusion of all else, even freedom from tyranny. Meanwhile the artist makes Han look like a very young Randy Quaid.

Oh, there’s so much going on on this page, I hardly know where to start.

First of all, how did the Falcon’s cockpit get to be the size of an Arena Football stadium? I mean, really. The claustrophobic confines of the Falcon set not only are way more realistic – have you ever been in a plane or a (non-cruise) ship? Space is at a premium in any sort of vessel like that.

But besides that it very literally brings the characters closer together – they’re constantly reaching over each other to fiddle with knobs or get in and out of seats.

Somehow the inside of the Falcon’s cockpit has now swollen to Vegas casino-like proportions, with a large, polished floor and a windshield that looks like it was stolen from the Emperor’s throne room on the second Death Star. Heck, if that’s the cockpit, they could house the entire Rebel fleet in the cargo hold.

This is also another wonderfully ham-fisted scene, thanks to the comic writers. In the movie, it’s a great little scene where we get to see Han and Luke doing some verbal sparring about Leia and suddenly realizing they’re in a bit of a competition with each other for her affections (all together, now: ewww).

First of all, Luke, seriously. Do not sit like that.

Then we have a gigantic close-up of Luke thinking “I care!”, holding his gargantuan left hand up to his chin and looking soulfully at Leia’s retreating form.

Then, after a bit of back and forth with Han, Luke boils over into a furious rage, his teeth fusing together in a mass of enamel, the better to resist breaking when Han inevitably punches him right in his beautiful pearly whites. Luke looks like he’s about to turn into the Incredible Hulk.

Meanwhile, Han just chuckles, knowing that he can toss Luke out of the airlock anytime he needs to. Because he’s a murdering bastard, that’s why. Just ask Greedo.

The comic writers couldn’t have known at this point that Luke and Leia were siblings, since I don’t think even Lucas came up with that until he sat down to bang out Return of the Jedi (otherwise, I don’t think we would have had the kissing scene in Empire), so I can’t really fault them for throwing in another incestuous kiss as Luke is about to go save the galaxy. I’m sure they thought it would just add to the tension factor with the whole love triangle thing going on. They had no idea that Lucas would turn this into a Greek tragedy.

But still. Eww.

The final page in this issue once again has the narration box talking directly to a character, in this case “Blue Leader”.

But before that, we have Blue Leader saying, “Approaching target at 1.3 parsecs”, which is great because, taken in context, this use of “parsecs” seems to be a rate of speed, i.e. “approaching target at 350mph”, rather than a measure of distance (as in the real world) or a measure of time (as in Lucas’s world).

It’s as if the writers figured “parsec” was just some generic space-term that had no real-world meaning and they could do whatever they wanted with it.

But then he says, “Now–it’s do or die!” and the omniscient narration box responds with, “Or perhaps both, blue leader … perhaps both!” What does that even mean? To my mind, the “do” in that statement is “stop the Death Star from destroying the 4th moon of Yavin” and the “die” part is, well, the death of the Rebellion. Sure, we all know that they do destroy the Death Star, and most of the rebel pilots do end up dying (except for Luke and Wedge), but the Rebellion survives, so I don’t think this really applies.

Also, did they hire the guy that did Dr. Katz to ink this last page? Why are all the lines so squiggly?

Well, now that you’re all riled up and ready for the exciting conclusion to the greatest space saga of all time (hint: the good guys win) we’ll need to break until next issue, where you’ll see (according to the cover) Luke Skywalker have a lightsaber duel with Darth Vader, which is going to be tough, what with the spaceships and dogfighting and all. But hey, we’ll see.

New Episode of Trailer Pod Boys is On-Line

In this Episode of Trailer Pod Boys, Quint shares his Trailer Park Boysesque Christmas in Canada, and our round table discussion picks up with Season 2 Episode 5, “The Bible Pimp.”

Check out the new episode here.